Bitcoin Creator Honored at the NYSE With New Art Installation

A place long associated with old-world finance is now hosting a tribute to one of the most disruptive ideas in modern economic history.
The New York Stock Exchange is displaying a “disappearing” statue of Satoshi Nakamoto, created by Italian artist Valentina Picozzi — a moment that captures just how far Bitcoin has traveled from its outsider beginnings.
The artwork was placed at the NYSE by Bitcoin-focused firm Twenty One Capital, which began trading this week and chose the installation to mark its market debut. The exchange described the piece as a visual bridge between the conventional financial system and the rapidly growing digital-asset world.
For Picozzi, the milestone feels surreal. She wrote that seeing her work at the symbolic center of global finance is something she never expected when she began the Satoshi series.
A Gesture With Perfect Timing
The timing adds another layer of symbolism: the statue was unveiled around the anniversary of the email list where Satoshi Nakamoto first shared the Bitcoin concept in December 2008. Within weeks, the genesis block would be mined, initiating a project that at the time seemed more like a curiosity than a future asset class.
“Satoshi Nakamoto”
Valentina Picozzi – @satoshigalleryTwenty One Capital places a statue of Satoshi Nakamoto, the inventor of bitcoin, in NYSE. Its new home marks a shared ground between emerging systems and established institutions. From code to culture, the placement… pic.twitter.com/sTiNq3h5HY
— NYSE 🏛 (@NYSE) December 10, 2025
Bitcoin’s early story is filled with unlikely turning points. The first widely recognized commercial transaction — Laszlo Hanyecz buying two pizzas for 10,000 BTC in 2010 — illustrated just how experimental the idea still was. For years afterward, Bitcoin remained on the margins as banks, regulators, and institutions dismissed it or actively pushed against it.
That resistance eventually gave way. From ETF launches to corporate treasury adoption, Bitcoin has become a fixture within mainstream finance. BlackRock, once a vocal skeptic, now manages one of the world’s largest Bitcoin ETFs. According to data from Bitbo, more than 3.7 million BTC is held collectively by nations, companies, and investment vehicles — a position that would have been unimaginable a decade ago.
READMORE: Ark Invest CEO: Wall Street Influx Is Changing How Bitcoin Moves
A Global Art Project With a Clear Message
Picozzi’s installation at the NYSE is part of a broader series. Statues from the same collection already stand in Switzerland, El Salvador, Japan, Vietnam, and Miami. Her long-term plan is to place 21 statues around the world, a direct reference to Bitcoin’s fixed supply cap of 21 million coins.
The artist says the pieces are meant to capture the paradox that defines Satoshi — an absent presence. Her sculptures portray a hooded figure with a laptop, intentionally vague and “fading,” representing a creator who disappeared but whose influence remains embedded in the code millions rely on today. She often describes the figure not only as Satoshi, but as a tribute to the developers and cryptographers who helped shape Bitcoin into an open, global system.
To Picozzi, the disappearing effect symbolizes how decentralization works: the individual fades, but the idea persists.
Wall Street’s New Relationship With Bitcoin
In many ways, the statue’s arrival at the NYSE is a story about shifting attitudes. What was once unwelcome — even controversial — on Wall Street is now increasingly celebrated. Both institutional investors and major corporations are building strategies around Bitcoin, and regulated funds have opened the asset to a level of participation that was previously impossible.
A statue of Satoshi Nakamoto sitting in front of the world’s most famous stock exchange would have been unthinkable in Bitcoin’s early days. Today, it feels like a fitting marker of how dramatically the financial landscape has changed.









